Evan Hobart

Anti-Hero, 2018

porcelain

18 x 12 x 11 inches

$5,000

C-lective Curator’s Cut:

Evan Hobart’s Anti Hero continues his exploration of humanity’s imprint on the world, rendered here in stark, all-white ceramic. The sculpture takes the form of a dinosaur head, its surface etched with classic American symbols—stars, stripes, and fragments of the flag—while tiny tanks crawl across its scales and atop the White House that perches precariously on its crown. The juxtaposition of this iconic architecture with the primeval form and miniature military machines creates a tense, surreal commentary on power, legacy, and national identity. Every mark on the surface—every scale, emblem, and indentation—carries Hobart’s meticulous attention to craft, transforming a playful, almost fantastical image into a meditation on the outsized influence of institutions and human activity over both history and the natural world.

We Love Evan. Based in Petaluma, he is a ceramic and flame-work glass artist whose sculptural pieces explore ecology, industry, and the human relationship with nature. His whimsical yet intense dinosaurs and expressive faces immediately draw us in, but it’s the deeper themes that make us stay. Each piece is rich with detail, inviting close inspection and revealing layered worlds, both literal and symbolic.

Evan Hobart

  • Masters of Fine Art in Spatial Art from San Jose State University

    Bachelor of Arts in Studio Art from Humboldt State University

  • Current Visual Arts Instructor at St. Vincent’s High School in Petaluma, CA (2020–present)

    Adjunct Professor of Ceramics at Mendocino College (2014–2020)

    Ceramics Program Director at the Mendocino Art Center (2014–2019)

    Artist-in-Residence at Medalta, Medicine Hat, Alberta, Canada (2011–2012)

    Highlighted in the Ceramics Annual of America (2012)

    Exhibited widely across the United States and Canada through solo and group shows, including regional arts centers, college galleries, and community art spaces.

“My artwork acts as an interrogation of modern life, utilizing the intersection of humanity and nature to comment on global climate change, politics, war, religion, society, overdevelopment and possibly eventual extinction.”

Evan’s work is wildly imaginative, filled with expressive faces, surreal dinosaurs, and sculpted forms that balance humor with intensity. With an easygoing presence, he channels big ideas about ecology, society, and human nature into tactile, detail-rich worlds. His sculptures pull you in with their playful strangeness, then hold your attention with deeper meaning and expert craft.

Interviews in progress, please check back soon!