Mirabel Wigon
Offshore, 2022
oil on canvas
60 x 48 inches
C-lective Curator’s Cut:
Mirabel Wigon’s Offshore presents a layered coastal scene, a quiet nod to the San Francisco Bay, that balances between the familiar and the abstract. Her use of deep blues and rich purples goes beyond mood; these colors shape how the work is experienced. They draw us into a state of immersive reflection. Fragmented industrial forms emerge within the composition, prompting a meditation on how human development intersects with and alters the natural world. In this way, Offshore echoes Wigon’s broader practice: reimagining our relationship to place, time, and environmental complexity.
Mirabel Wigon, MFA
We Love Mirabel. She is a Sacramento-based artist whose layered landscape paintings explore the natural and social forces shaping our world. She uses themes of human triumph and failure to imagine speculative futures grounded in co-dependency and resilience, revealing hidden worlds that help us navigate life's complexities.
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Bachelor of Fine Arts in Traditional Art from California State University, East Bay
Masters of Fine Art in Drawing & Painting from California State University, Long Beach
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Current Assistant Professor of Art (Drawing & Painting) at California State University, Stanislaus
Vermont Studio Center Resident (2024) and “The Place on the PCH” Resident (2023)
Recipient of multiple institutional grants at CSUS, including Teaching Initiative, Travel Fund, Instructional Activities Awards, and a $10K Research/Creative Activities Grant
Linda A. Day Endowed Student Award (2019)
Werby Marilyn Award
CSULB Provost Purchase Award
“My oeuvre addresses notions of progress, instability, and system collapse as it relates to the built and natural environment.”
Mirabel’s art explores the impact of our changing environment, using symbols that reflect the challenges of our current era. Her paintings invite viewers to think about how the land and landscape shape the stories and ideas we share as a culture. She builds up layers of images and materials on the surface of her work, creating scenes that are full of contradictions where shapes and gestures can mean different things at once.
Interviews in progress, please check back soon!