Evan Hobart

Pachamama, 2022

porcelain, glass, and resin

21 x 9 x 8 inches

$ 4,800

C-lective Curator’s Cut:

Evan’s Pachamama continues his exploration of humanity’s impact on the earth. Named for Mother Earth, the white dinosaur stands with its mouth open and claws out, playful yet fierce. Its green glass eyes hold our gaze, while blown-glass teeth, spine, and claws suggest both fragility and strength. Across its body, scales transform into skyscrapers, turning architecture into armor. At the base, an ant farm–like structure crawls with machinery, a reminder of human industry’s constant presence. Balancing humor and critique, the work reflects the tension between human ambition and the natural world it threatens.

We Love Evan. Based in Petaluma, he is a ceramic and flame-work glass artist whose sculptural pieces explore ecology, industry, and the human relationship with nature. His whimsical yet intense dinosaurs and expressive faces immediately draw us in, but it’s the deeper themes that make us stay. Each piece is rich with detail, inviting close inspection and revealing layered worlds, both literal and symbolic.

Evan Hobart

“My artwork acts as an interrogation of modern life, utilizing the intersection of humanity and nature to comment on global climate change, politics, war, religion, society, overdevelopment and possibly eventual extinction.”

Evan’s work is wildly imaginative, filled with expressive faces, surreal dinosaurs, and sculpted forms that balance humor with intensity. With an easygoing presence, he channels big ideas about ecology, society, and human nature into tactile, detail-rich worlds. His sculptures pull you in with their playful strangeness, then hold your attention with deeper meaning and expert craft.

Interviews in progress, please check back soon!