Brett Amory
Uncomfortably Numb, 2020
oil paint on canvas
60 ×48 inches
$ 9,500
C-lective Curator’s Cut:
In Uncomfortably Numb from his Waiting series, Brett Amory demonstrates the remarkable technical precision and emotional complexity that have become hallmarks of his practice, seamlessly blending realism with abstraction and surreal distortion. A mother and daughter-like pair stand hand in hand against a vibrant field of baby pink and saturated teal, surrounded by childlike that evoke imagination, innocence, and memory. In the upper right, a simple sketch of a child on a swing appears almost as an extension of the younger figure’s inner world, as though we are witnessing a daydream materialize. While the child gazes outward with curiosity and openness, the adult figure’s face dissolves into blur and fragmentation, suggesting emotional distance, exhaustion, or quiet dissociation. Amory’s juxtaposition of playful imagery with weathered beige textures reminiscent of peeling concrete or urban walls grounds the work back in lived reality, creating a poignant tension between imagination and experience, presence and absence, childhood wonder and adult emotional weight.
Brett Amory
We Love Brett. He is an Oakland-based visual artist known for his moody, atmospheric paintings that capture the tension of everyday urban life. His work often explores themes of isolation, routine, and the passage of time in contemporary spaces. His work reframes our day-to-day interactions, and asks us to question how technology, gentrification, and community impact our lives.
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Master of Fine Arts from Stanford University
Bachelor of Fine Arts from Academy of Art University, San Francisco
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Current Lecturer in the Department of Art & Art History at Stanford University
Brett’s awards include the BP Award, National Portrait Gallery, London (2016), Distinguished Alumni Award, Academy of Art University (2014), Artist of the Year, San Francisco Bay Guardian (2012), and First Place, Art Interview International Competition (2009).
He was a Graduate Fellow, Headlands Center for the Arts (2021–2022) and an Artist-in-Residence at de Young Museum, San Francisco (2017), Fort Wayne Museum of Art, Indiana (2016), and Symposium International, Baie-Saint-Paul, Quebec (2014).
His work has been exhibited at the National Portrait Gallery, London, Scottish National Portrait Gallery, Edinburgh, Fort Wayne Museum of Art, Indiana, Contemporary Jewish Museum, San Francisco, and de Young Museum, San Francisco.
Brett’s explores our fleeting, seemingly-mundane experiences of everyday. He illustrates a new way to look at life that evokes emotional introspection. Drawing from his background in both fine art and design, he blends figurative and abstract elements to express a world shaped by disconnection and longing. His use of blurred forms, muted palettes, and cinematic composition invites viewers to slow down and consider the unnoticed moments that define urban life. Whether painting crowded transit stations or solitary figures in liminal spaces, Brett captures the poignancy of simply existing in time.
"I’m interested in the overlooked — the in-between moments and the people we pass without really seeing."
Interviews in progress, please check back soon!