Brett Amory
Waiting #218 (Overtown), 2014
oil on canvas
48 x 60 inches
$ 9,500
C-lective Curator’s Cut:
Waiting #218 (Overtown) presents a quiet motel or apartment scene, made up of hazy pastel greens, blues, and whites. A man gazes toward the parking lot while a room above reveals a glimpse of life within as it’s curtains slightly part. A child is playing in the top left. At the bottom, figures may be engaged in conversation or simply sharing space. Brett turns this everyday moment into a meditation on human behavior, showing how even fleeting interactions invite reflection on the ways we connect and live alongside one another. What seems like a simple snapshot of life quietly asks us to pause and consider the broader rhythms of humanity.
Brett Amory
We Love Brett. He is an Oakland-based visual artist known for his moody, atmospheric paintings that capture the tension of everyday urban life. His work often explores themes of isolation, routine, and the passage of time in contemporary spaces. His work reframes our day-to-day interactions, and asks us to question how technology, gentrification, and community impact our lives.
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Master of Fine Arts from Stanford University
Bachelor of Fine Arts from Academy of Art University, San Francisco
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Current Lecturer in the Department of Art & Art History at Stanford University
Brett’s awards include the BP Award, National Portrait Gallery, London (2016), Distinguished Alumni Award, Academy of Art University (2014), Artist of the Year, San Francisco Bay Guardian (2012), and First Place, Art Interview International Competition (2009).
He was a Graduate Fellow, Headlands Center for the Arts (2021–2022) and an Artist-in-Residence at de Young Museum, San Francisco (2017), Fort Wayne Museum of Art, Indiana (2016), and Symposium International, Baie-Saint-Paul, Quebec (2014).
His work has been exhibited at the National Portrait Gallery, London, Scottish National Portrait Gallery, Edinburgh, Fort Wayne Museum of Art, Indiana, Contemporary Jewish Museum, San Francisco, and de Young Museum, San Francisco.
Brett’s explores our fleeting, seemingly-mundane experiences of everyday. He illustrates a new way to look at life that evokes emotional introspection. Drawing from his background in both fine art and design, he blends figurative and abstract elements to express a world shaped by disconnection and longing. His use of blurred forms, muted palettes, and cinematic composition invites viewers to slow down and consider the unnoticed moments that define urban life. Whether painting crowded transit stations or solitary figures in liminal spaces, Brett captures the poignancy of simply existing in time.
"I’m interested in the overlooked — the in-between moments and the people we pass without really seeing."
Interviews in progress, please check back soon!